85 bars of 4/4 at 150 BPM, about 2:16 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 5-10, 19-25 and 40-45, and 1 more place -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 7 times: bars 4, 18, 39, 49, 51, 57 and 1 more.
85 bars across 12 sections: 61 keep time, 7 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 72-82.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
85 bars, about 2:16 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 4, 18, 39, 49, 51, 57 and 1 more.