153 bars of 4/4 at 124 BPM, about 4:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-12, 32-38 and 59-65, and 6 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 34 times: bars 4, 16, 20, 24, 28, 29 and 28 more.
6 more fills are written out on the fills page.
153 bars across 16 sections: 94 keep time, 34 are fills and 8 are stops. The longest unbroken stretch of time is bars 101-111.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
153 bars, about 4:55 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 34 times: bars 4, 16, 20, 24, 28, 29 and 28 more.