72 bars of 4/4 at a walking 100 BPM, 2:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 9 and 11-12, and 6 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 8, 13, 17, 19, 20, 30 and 11 more.
5 more fills are written out on the fills page.
72 bars across 5 sections: 48 keep time, 17 are fills and 2 are stops. The longest unbroken stretch of time is bars 22-29.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
72 bars, about 2:53 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 8, 13, 17, 19, 20, 30 and 11 more.