505 bars, 32:09, at 57 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 504-505 and 510-553 -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 61 times: bars 15, 16, 17, 18, 19, 20 and 55 more.
23 more fills are written out on the fills page.
558 bars across 52 sections: 368 keep time, 63 are fills, 50 are stops and 4 are silent. The longest unbroken stretch of time is bars 511-552.
57 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
505 bars, about 32:09 at the written tempo. The course breaks it into 188 exercises over 56 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 61 times: bars 15, 16, 17, 18, 19, 20 and 55 more.