28 bars of 4/4 at a walking 90 BPM, 1:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8-10 and 20-22 -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 18 times: bars 1, 2, 3, 4, 5, 6 and 12 more.
31 bars across 3 sections: 9 keep time, 18 are fills and 3 are silent. The longest unbroken stretch of time is bars 20-24.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
28 bars, about 1:15 at the written tempo. The course breaks it into 12 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 18 times: bars 1, 2, 3, 4, 5, 6 and 12 more.