50 bars, 2:40, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 7, 19-20 and 23-24, and 4 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 3, 4, 8, 16, 34, 42 and 1 more.
50 bars across 4 sections: 39 keep time, 7 are fills and 2 are silent. The longest unbroken stretch of time is bars 24-33.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
50 bars, about 2:40 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 3, 4, 8, 16, 34, 42 and 1 more.