210 bars at 187 BPM -- fast, and 4:28 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 74-77 and 148, and 1 more place -- 7.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 33 times: bars 16, 24, 42, 50, 52, 53 and 27 more.
12 more fills are written out on the fills page.
210 bars across 30 sections: 84 keep time, 33 are fills, 64 are stops and 14 are silent. The longest unbroken stretch of time is bars 9-15.
187 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
210 bars, about 4:28 at the written tempo. The course breaks it into 79 exercises over 21 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 33 times: bars 16, 24, 42, 50, 52, 53 and 27 more.