171 bars at 198 BPM -- fast, and 3:27 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 57-59, 61-62 and 65-67, and 5 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 24 times: bars 7, 8, 16, 20, 23, 24 and 18 more.
11 more fills are written out on the fills page.
171 bars across 17 sections: 60 keep time, 24 are fills, 53 are stops and 18 are silent. The longest unbroken stretch of time is bars 34-40.
198 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
171 bars, about 3:27 at the written tempo. The course breaks it into 60 exercises over 15 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 24 times: bars 7, 8, 16, 20, 23, 24 and 18 more.