135 bars at 185 BPM -- fast, and 2:40 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 2 more places -- 7.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 1, 2, 23, 28, 32, 36 and 2 more.
2 more fills are written out on the fills page.
135 bars across 18 sections: 50 keep time, 8 are fills, 47 are stops and 16 are silent. The longest unbroken stretch of time is bars 120-127.
185 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
135 bars, about 2:40 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 1, 2, 23, 28, 32, 36 and 2 more.