77 bars of 6/4 -- not four -- at 100 BPM, 4:23 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8-10, 12-14 and 26-27 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 31 times: bars 2, 3, 4, 5, 6, 7 and 25 more.
3 more fills are written out on the fills page.
77 bars across 5 sections: 19 keep time, 31 are fills, 2 are stops and 25 are silent. The longest unbroken stretch of time is bars 26-33.
100 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
77 bars, about 4:23 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 31 times: bars 2, 3, 4, 5, 6, 7 and 25 more.