68 bars, 4:21, at 62 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 1-6, 9 and 11-13, and 1 more place -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 13 times: bars 8, 17, 18, 19, 29, 49 and 7 more.
71 bars across 11 sections: 41 keep time, 13 are fills, 1 is a stop and 10 are silent. The longest unbroken stretch of time is bars 37-44.
62 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
68 bars, about 4:21 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 13 times: bars 8, 17, 18, 19, 29, 49 and 7 more.