298 bars of 4/4 at 114 BPM, about 11:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 148-149, 151-152 and 154-155, and 2 more places -- 4.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 41 times: bars 51, 52, 53, 74, 75, 83 and 35 more.
15 more fills are written out on the fills page.
298 bars across 27 sections: 154 keep time, 41 are fills, 6 are stops and 64 are silent. The longest unbroken stretch of time is bars 9-25.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
298 bars, about 11:54 at the written tempo. The course breaks it into 91 exercises over 32 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 41 times: bars 51, 52, 53, 74, 75, 83 and 35 more.