123 bars of 4/4 at 114 BPM, about 4:17 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 15-17 and 48-49, and 2 more places -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 40 times: bars 1, 2, 22, 25, 26, 29 and 34 more.
12 more fills are written out on the fills page.
123 bars across 15 sections: 56 keep time, 40 are fills, 7 are stops and 3 are silent. The longest unbroken stretch of time is bars 77-89.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
123 bars, about 4:17 at the written tempo. The course breaks it into 52 exercises over 20 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 40 times: bars 1, 2, 22, 25, 26, 29 and 34 more.