59 bars of 4/4 at a walking 96 BPM, 2:26 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 25-27 and 29, and 4 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 12, 16, 21, 36, 37, 41 and 8 more.
3 more fills are written out on the fills page.
59 bars across 7 sections: 36 keep time, 15 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 25-30.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
59 bars, about 2:26 at the written tempo. The course breaks it into 24 exercises over 10 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 12, 16, 21, 36, 37, 41 and 8 more.