147 bars of 4/4 at 150 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 14-16, 18-20 and 22-24, and 5 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 17 times: bars 5, 9, 33, 37, 45, 53 and 11 more.
6 more fills are written out on the fills page.
154 bars across 13 sections: 106 keep time, 17 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 15-28.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 83 out of 100; the rest of the number is everything around it.
147 bars, about 3:44 at the written tempo. The course breaks it into 45 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 5, 9, 33, 37, 45, 53 and 11 more.