187 bars of 4/4 at 123 BPM, about 5:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-13, and 8 more places -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 38 times: bars 40, 72, 74, 75, 76, 77 and 32 more.
11 more fills are written out on the fills page.
187 bars across 23 sections: 111 keep time, 40 are fills, 14 are stops and 6 are silent. The longest unbroken stretch of time is bars 46-65.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
187 bars, about 5:42 at the written tempo. The course breaks it into 73 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 38 times: bars 40, 72, 74, 75, 76, 77 and 32 more.