68 bars of 4/4 at a walking 93 BPM, 2:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-9, 11-13 and 40-42, and 1 more place -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 23 times: bars 3, 4, 5, 6, 14, 18 and 17 more.
4 more fills are written out on the fills page.
68 bars across 8 sections: 38 keep time, 23 are fills and 3 are silent. The longest unbroken stretch of time is bars 53-67.
93 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
68 bars, about 2:53 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 23 times: bars 3, 4, 5, 6, 14, 18 and 17 more.