540 bars of 4/4 at a walking 97 BPM, 19:13 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 390-430 and 444-454 -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 104 times: bars 45, 46, 47, 71, 72, 73 and 98 more.
26 more fills are written out on the fills page.
540 bars across 37 sections: 267 keep time, 105 are fills, 50 are stops and 82 are silent. The longest unbroken stretch of time is bars 391-430.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 40 out of 100; the rest of the number is everything around it.
540 bars, about 19:13 at the written tempo. The course breaks it into 134 exercises over 37 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 104 times: bars 45, 46, 47, 71, 72, 73 and 98 more.