145 bars of 4/4 at 135 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 112-114, 116-118 and 130-132, and 3 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 18 times: bars 27, 29, 31, 33, 35, 37 and 12 more.
9 more fills are written out on the fills page.
145 bars across 16 sections: 90 keep time, 18 are fills, 11 are stops and 10 are silent. The longest unbroken stretch of time is bars 113-145.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
145 bars, about 4:08 at the written tempo. The course breaks it into 60 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 18 times: bars 27, 29, 31, 33, 35, 37 and 12 more.