307 bars, 21:30, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 12-17, 19-24 and 26-31, and 4 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 113, 114, 141, 142, 143, 147 and 6 more.
3 more fills are written out on the fills page.
307 bars across 31 sections: 177 keep time, 13 are fills, 5 are stops and 80 are silent. The longest unbroken stretch of time is bars 13-45.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
307 bars, about 21:30 at the written tempo. The course breaks it into 85 exercises over 26 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 113, 114, 141, 142, 143, 147 and 6 more.