10 bars of 4/4 at 133 BPM, about 0:18 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-10 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 1 time: bar 3.
11 bars across 4 sections: 6 keep time, 1 is a fill, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 6-10.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 46 out of 100; the rest of the number is everything around it.
10 bars, about 0:18 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 3.