174 bars of 4/4 at 110 BPM, about 6:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49-50, 53-59 and 87-88, and 3 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 32 times: bars 4, 5, 16, 17, 19, 20 and 26 more.
16 more fills are written out on the fills page.
174 bars across 18 sections: 102 keep time, 32 are fills, 20 are stops and 3 are silent. The longest unbroken stretch of time is bars 76-86.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
174 bars, about 6:17 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 32 times: bars 4, 5, 16, 17, 19, 20 and 26 more.