91 bars of 4/4 at 144 BPM, about 2:32 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4-5, 21-22 and 24-29, and 1 more place -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 16 times: bars 2, 3, 6, 7, 9, 19 and 10 more.
3 more fills are written out on the fills page.
91 bars across 11 sections: 50 keep time, 16 are fills, 11 are stops and 2 are silent. The longest unbroken stretch of time is bars 58-71.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
91 bars, about 2:32 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 2, 3, 6, 7, 9, 19 and 10 more.