180 bars of 4/4 at 150 BPM, about 4:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-24, 85 and 87, and 4 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 31 times: bars 25, 29, 33, 41, 73, 74 and 25 more.
7 more fills are written out on the fills page.
180 bars across 18 sections: 122 keep time, 31 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 2-24.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
180 bars, about 4:48 at the written tempo. The course breaks it into 57 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 31 times: bars 25, 29, 33, 41, 73, 74 and 25 more.