157 bars of 4/4 at 112 BPM, about 5:33 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 90-92, 94-96 and 153-156 -- 6.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 30 times: bars 1, 2, 3, 5, 6, 9 and 24 more.
12 more fills are written out on the fills page.
157 bars across 20 sections: 84 keep time, 30 are fills, 20 are stops and 5 are silent. The longest unbroken stretch of time is bars 111-124.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
157 bars, about 5:33 at the written tempo. The course breaks it into 65 exercises over 19 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 30 times: bars 1, 2, 3, 5, 6, 9 and 24 more.