137 bars at 155 BPM -- fast, and 3:32 of it without a break -- on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 14-16, and 4 more places -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 37 times: bars 5, 9, 11, 13, 17, 23 and 31 more.
10 more fills are written out on the fills page.
137 bars across 18 sections: 64 keep time, 38 are fills, 14 are stops and 2 are silent. The longest unbroken stretch of time is bars 65-74.
155 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
137 bars, about 3:32 at the written tempo. The course breaks it into 50 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 37 times: bars 5, 9, 11, 13, 17, 23 and 31 more.