62 bars of 4/4 at a walking 80 BPM, 3:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-16 and 26-32 -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 5 times: bars 17, 21, 33, 45 and 53.
62 bars across 8 sections: 45 keep time, 6 are fills and 1 is a stop. The longest unbroken stretch of time is bars 25-32.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
62 bars, about 3:04 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 17, 21, 33, 45 and 53.