The beat the song is built on is one bar, played through bars 17, 19 and 21, and 33 more places -- 34% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on hi-hat and snare, counted in thirty-second notes. On its own it scores 3 out of 100 -- straightforward -- and the thing that decides that is how fine the subdivision is.
The whole song is 32 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 79 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 79, 92 and 105 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on hi-hat and snare, in 3/4 at 105 BPM, counted in thirty-second notes. It is written out above, and it covers 34% of the bars the kit plays.
Bars 17, 19, 21 and 23, and 32 more places. The time is kept on the silence to start with, and it changes 5 times over the song.
3 out of 100 on its own -- straightforward. The song as a whole is 32 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.