110 bars of 3/4 -- not four -- at 105 BPM, 3:09 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 33 more places -- 34% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 5, 9, 43, 47 and 63.
110 bars across 7 sections: 90 keep time, 5 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 78-110.
105 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 3 out of 100; the rest of the number is everything around it.
110 bars, about 3:09 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 5, 9, 43, 47 and 63.