83 bars at 178 BPM -- fast, and 1:53 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-17 and 43-45 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 18, 22, 24, 25, 26, 27 and 5 more.
4 more fills are written out on the fills page.
83 bars across 7 sections: 51 keep time, 11 are fills, 10 are stops and 2 are silent. The longest unbroken stretch of time is bars 3-17.
178 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
83 bars, about 1:53 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 18, 22, 24, 25, 26, 27 and 5 more.