394 bars, 24:11, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 54-56, 72 and 171-177, and 9 more places -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
47 fills to learn, played 97 times: bars 12, 17, 18, 19, 26, 27 and 91 more.
43 more fills are written out on the fills page.
394 bars across 39 sections: 213 keep time, 99 are fills, 14 are stops and 17 are silent. The longest unbroken stretch of time is bars 308-323.
65 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
394 bars, about 24:11 at the written tempo. The course breaks it into 162 exercises over 48 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
47 fills to learn, played 97 times: bars 12, 17, 18, 19, 26, 27 and 91 more.