84 bars of 4/4 at a walking 87 BPM, 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 20 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 15 times: bars 4, 12, 36, 48, 56, 57 and 9 more.
5 more fills are written out on the fills page.
84 bars across 7 sections: 61 keep time, 15 are fills and 1 is silent. The longest unbroken stretch of time is bars 13-35.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
84 bars, about 3:52 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 4, 12, 36, 48, 56, 57 and 9 more.