105 bars at 166 BPM -- fast, and 2:32 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-2, 5-6 and 9-10, and 6 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 8, 15, 64, 103 and 104.
105 bars across 9 sections: 76 keep time, 5 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 73-87.
166 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
105 bars, about 2:32 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 8, 15, 64, 103 and 104.