304 bars at 230 BPM -- fast, and 5:17 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 64-65, 80 and 96, and 16 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 50 times: bars 49, 63, 79, 81, 95, 97 and 44 more.
24 more fills are written out on the fills page.
304 bars across 17 sections: 231 keep time, 50 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-31.
230 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
304 bars, about 5:17 at the written tempo. The course breaks it into 68 exercises over 17 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 50 times: bars 49, 63, 79, 81, 95, 97 and 44 more.