72 bars of 4/4 at a walking 98 BPM, 2:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 21-23, 25-27 and 41-43, and 1 more place -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 12, 16, 20, 28, 32, 56 and 5 more.
4 more fills are written out on the fills page.
72 bars across 10 sections: 36 keep time, 11 are fills, 10 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-8.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 81 out of 100; the rest of the number is everything around it.
72 bars, about 2:56 at the written tempo. The course breaks it into 35 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 12, 16, 20, 28, 32, 56 and 5 more.