164 bars at 170 BPM -- fast, and 3:52 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 44, 46 and 48, and 23 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 12 times: bars 1, 2, 3, 4, 5, 6 and 6 more.
1 more fill is written out on the fills page.
164 bars across 8 sections: 139 keep time, 12 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 28-50.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 27 out of 100; the rest of the number is everything around it.
164 bars, about 3:52 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 1, 2, 3, 4, 5, 6 and 6 more.