81 bars of 4/4 at a walking 84 BPM, 3:51 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 13-14, 17-18 and 21-23, and 5 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 12, 19, 20, 24, 28, 47 and 8 more.
2 more fills are written out on the fills page.
81 bars across 11 sections: 52 keep time, 14 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 66-79.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
81 bars, about 3:51 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 12, 19, 20, 24, 28, 47 and 8 more.