150 bars of 4/4 at 140 BPM, about 4:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-27, 36-43 and 54-61 -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 9 times: bars 11, 45, 94, 105, 117, 121 and 3 more.
4 more fills are written out on the fills page.
150 bars across 18 sections: 103 keep time, 9 are fills, 16 are stops and 4 are silent. The longest unbroken stretch of time is bars 75-89.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
150 bars, about 4:17 at the written tempo. The course breaks it into 52 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 11, 45, 94, 105, 117, 121 and 3 more.