81 bars of 4/4 at a walking 97 BPM, 3:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-12, 16-18 and 20, and 7 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 17 times: bars 2, 10, 13, 14, 15, 19 and 11 more.
8 more fills are written out on the fills page.
81 bars across 10 sections: 55 keep time, 17 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 52-61.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
81 bars, about 3:20 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 2, 10, 13, 14, 15, 19 and 11 more.