84 bars of 6/4 -- not four -- at 210 BPM, 2:13 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-29 and 34-40 -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 25 times: bars 1, 2, 3, 4, 5, 6 and 19 more.
8 more fills are written out on the fills page.
126 bars across 11 sections: 53 keep time, 25 are fills, 4 are stops and 38 are silent. The longest unbroken stretch of time is bars 23-29.
210 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
84 bars, about 2:13 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 1, 2, 3, 4, 5, 6 and 19 more.