115 bars of 4/4 at 118 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-8, 11 and 13, and 9 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 25 times: bars 1, 9, 10, 17, 18, 19 and 19 more.
9 more fills are written out on the fills page.
115 bars across 14 sections: 66 keep time, 25 are fills, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 52-64.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
92 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
115 bars, about 3:57 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 1, 9, 10, 17, 18, 19 and 19 more.