132 bars of 4/4 at 120 BPM, about 4:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9-10, and 6 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 20 times: bars 6, 8, 11, 12, 20, 22 and 14 more.
11 more fills are written out on the fills page.
132 bars across 18 sections: 86 keep time, 20 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 90-99.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
91 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 57 out of 100; the rest of the number is everything around it.
132 bars, about 4:22 at the written tempo. The course breaks it into 67 exercises over 25 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 20 times: bars 6, 8, 11, 12, 20, 22 and 14 more.