105 bars of 4/4 at a walking 90 BPM, 4:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 61, 63 and 65, and 6 more places -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 6 times: bars 3, 4, 66, 70, 71 and 104.
105 bars across 13 sections: 66 keep time, 6 are fills, 5 are stops and 12 are silent. The longest unbroken stretch of time is bars 81-103.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
105 bars, about 4:40 at the written tempo. The course breaks it into 26 exercises over 12 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 3, 4, 66, 70, 71 and 104.