168 bars of 4/4 at 150 BPM, about 4:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25, 27 and 29-30, and 10 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 56 times: bars 1, 2, 3, 4, 6, 7 and 50 more.
18 more fills are written out on the fills page.
169 bars across 12 sections: 74 keep time, 56 are fills, 10 are stops and 20 are silent. The longest unbroken stretch of time is bars 75-81.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
168 bars, about 4:28 at the written tempo. The course breaks it into 56 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 56 times: bars 1, 2, 3, 4, 6, 7 and 50 more.