110 bars at 180 BPM -- fast, and 2:27 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-13, 15-17 and 23-25, and 8 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 14, 18, 19, 20, 21, 27 and 4 more.
1 more fill is written out on the fills page.
110 bars across 12 sections: 72 keep time, 10 are fills, 7 are stops and 7 are silent. The longest unbroken stretch of time is bars 88-98.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
110 bars, about 2:27 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 14, 18, 19, 20, 21, 27 and 4 more.