441 bars of 4/4 at 120 BPM, about 13:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20, 22 and 24, and 21 more places -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
50 fills to learn, played 100 times: bars 21, 23, 26, 27, 35, 116 and 94 more.
47 more fills are written out on the fills page.
441 bars across 41 sections: 169 keep time, 100 are fills, 30 are stops and 103 are silent. The longest unbroken stretch of time is bars 418-431.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
441 bars, about 13:06 at the written tempo. The course breaks it into 156 exercises over 50 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
50 fills to learn, played 100 times: bars 21, 23, 26, 27, 35, 116 and 94 more.