116 bars at 155 BPM -- fast, and 2:45 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 16 and 18, and 8 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 51 times: bars 5, 6, 7, 8, 12, 15 and 45 more.
11 more fills are written out on the fills page.
116 bars across 12 sections: 43 keep time, 51 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 60-64.
155 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
116 bars, about 2:45 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 51 times: bars 5, 6, 7, 8, 12, 15 and 45 more.