94 bars of 3/4 -- not four -- at 110 BPM, 3:27 of playing on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 23-30 -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
113 bars across 9 sections: 52 keep time and 48 are silent. The longest unbroken stretch of time is bars 53-69.
110 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 90 out of 100; the rest of the number is everything around it.
94 bars, about 3:27 at the written tempo. The course breaks it into 24 exercises over 10 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.