35 bars, 3:24, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 14-20 -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 7 times: bars 3, 4, 8, 9, 10, 11 and 1 more.
1 more fill is written out on the fills page.
37 bars across 5 sections: 14 keep time, 7 are fills and 15 are silent. The longest unbroken stretch of time is bars 14-20.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
60 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 48 out of 100; the rest of the number is everything around it.
35 bars, about 3:24 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 7 times: bars 3, 4, 8, 9, 10, 11 and 1 more.