137 bars of 4/4 at 125 BPM, about 4:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-33, 35 and 61-65, and 7 more places -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 19 times: bars 43, 44, 52, 60, 68, 92 and 13 more.
7 more fills are written out on the fills page.
137 bars across 15 sections: 87 keep time, 20 are fills, 9 are stops and 4 are silent. The longest unbroken stretch of time is bars 98-111.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
137 bars, about 4:23 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 43, 44, 52, 60, 68, 92 and 13 more.